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      <name>Poem</name>
      <description>A resource consisting primarily of words for reading, specifically in the form of poetry.</description>
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          <description>The actual text of the resource – the text of the poem or extract. 

Note: For a line break, press return. For a paragraph break, hold the shift key and press return.</description>
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              <text>&lt;p&gt;Devastation&lt;br /&gt;&lt;br /&gt;The sky is wind&lt;br /&gt;and bodies march&lt;br /&gt;march&lt;br /&gt;on a thousand&lt;br /&gt;bootsoles.&lt;/p&gt;&#13;
&lt;p&gt;The sky is wind&lt;br /&gt;and bodies advance&lt;br /&gt;advance&lt;br /&gt;onto a thousand&lt;br /&gt;automatics.&lt;/p&gt;&#13;
&lt;p&gt;The sky is wind&lt;br /&gt;and bodies crack&lt;br /&gt;crack&lt;br /&gt;into a thousand&lt;br /&gt;fragments.&lt;/p&gt;&#13;
&lt;p&gt;The sky is wind&lt;br /&gt;but bodies prevail&lt;br /&gt;prevail&lt;br /&gt;from a thousand&lt;br /&gt;positions.&lt;/p&gt;&#13;
&lt;p&gt;The sky is wind&lt;br /&gt;and bodies tense&lt;br /&gt;tense&lt;br /&gt;into a thousand&lt;br /&gt;black sacks.&lt;/p&gt;&#13;
&lt;p&gt;The sky is wind&lt;br /&gt;and heartbeats halt&lt;br /&gt;halt&lt;br /&gt;on a thousand&lt;br /&gt;operations.&lt;/p&gt;</text>
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          <name>Translation type</name>
          <description>The style of translation. Note: Be sure to only add this to translated items.</description>
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              <text>stylistic (literary)</text>
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            <name>Title</name>
            <description>A name given to the resource – e.g. Dulce et Decorum Est</description>
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                <text>Devastation</text>
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            <name>Description</name>
            <description>A short description of the item itself.

If you want to add information on the item’s creator, add a heading in H3 for, e.g., ‘About the author’ and write underneath it. 

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                <text>&lt;p&gt;Stramm wrote &amp;lsquo;Vernichtung&amp;rsquo; (&amp;lsquo;Devastation&amp;rsquo;) in Neubreisach in November 1914 and it was published in the January issue of&amp;nbsp;&lt;em&gt;Der Sturm&lt;/em&gt;, 1915.&lt;/p&gt;&#13;
&lt;h3&gt;About the writer&lt;/h3&gt;&#13;
&lt;p&gt;Born in M&amp;uuml;nster (Westfalia) in 1874, August Stramm grew up in D&amp;uuml;ren, Eupen and Aachen. He visited the &amp;lsquo;Post- und Telegraphenschule&amp;rsquo; in Berlin and started publishing alongside his education in 1903. Enrolled as a guest student at the Berlin University, he received a PhD from the University of Wittenberg/Halle for a thesis on worldwide postal charges. Back in Berlin, he increased his literary work and got to know Herwath Walden, the publisher of the magazine&amp;nbsp;&lt;em&gt;Der Sturm&lt;/em&gt;&amp;nbsp;and himself a key figure in pre-War Berlin culture. The newly established contacts reassured Stramm in his radical working with language. Since he was called to arms in August 1914, he focussed on war poetry, of which he wrote about 70, mainly short pieces. He first served at the Oberrhein and in Alsatia, before he was sent to the Western Front in January 1915 where he immediately was confronted with the trench warfare. In April 1915 he was moved to the Eastern Front, where he died on September, 1&lt;sup&gt;st&lt;/sup&gt;&amp;nbsp;the same year.&lt;/p&gt;&#13;
&lt;p&gt;In his writing, Stramm engages with language in a unique way, making use of the creative powers of the German language like no one else of his generation. Though he shares insights and fears with other Expressionist authors, he is more radical in his innovative playing with words. His syntax is often twisted and distorted to the ultimate level, words shift their classes and with it new and sometimes surprising meanings arise from his &amp;lsquo;working in the language&amp;rsquo;. His war poems are radically reduced experiments in wording, for which the Germans coined the phrase &amp;lsquo;Wortgedichte&amp;rsquo;.&lt;/p&gt;</text>
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            <name>Creator</name>
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                <text>Original text: August Stramm;&#13;
&#13;
Translator: Alistair Noon</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived

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                <text>&lt;p&gt;&lt;em&gt;The Last Drop. Versions of August Stramm&lt;/em&gt;, translated by Alistair Noon (Colchester: Alistair Noon,&amp;nbsp;2009), p. 6. Free eBook (pdf), &lt;a href="http://www.lulu.com/shop/alistair-noon/the-last-drop/ebook/product-5464480.html"&gt;http://www.lulu.com/shop/alistair-noon/the-last-drop/ebook/product-5464480.html&lt;/a&gt;&amp;nbsp;(last accessed: 05.08.2015).&lt;/p&gt;</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource (YYYY-MM-DD). This will usually be the date of publication.

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                <text>2009-01-01/2009-12-31</text>
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            <name>Contributor</name>
            <description>The person who contributed/donated the item to the project</description>
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                <text>Gert Vonhoff</text>
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            <name>Rights</name>
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              <elementText elementTextId="207">
                <text>Rights rest with the original publisher. Our online collections are subject to a takedown policy. If you believe any content has been published here without the relevant permissions, please contact us to request that it is removed.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Online</text>
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                <text>English</text>
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            <name>Type</name>
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&#13;
Match your selection here to your selection for the ‘item type’ in the ‘item type metadata’ tab.</description>
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                <text>Poem</text>
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        <src>https://warinotherwords.exeter.ac.uk/files/original/6b9e85a2416beb93adcac09acf352c45.mp3</src>
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      <name>Extract from novel</name>
      <description>An extract from a novel. </description>
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        <element elementId="1">
          <name>Text</name>
          <description>The actual text of the resource – the text of the poem or extract. 

Note: For a line break, press return. For a paragraph break, hold the shift key and press return.</description>
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              <text>They passed ruined villages. Some were abandoned, in others people were living in cellars deep underground. Piles of dust and rubble were aligned as once the houses had been. You could see the whole of such a burned-out settlement at a glance, like a barren waste ground. Old women scratched about in the ashes, each on the ruins of her own home, now and then digging something up and putting it away, apparently feeling as sheltered from the eyes of strangers as if their walls were still around them. They looked up at Gordon and gazed after him as he drove past, seeming to ask him how soon the world would come to its senses and peace and order be restored to their lives.</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="246">
              <text>Novel</text>
            </elementText>
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          <name>Translation type</name>
          <description>The style of translation. Note: Be sure to only add this to translated items.</description>
          <elementTextContainer>
            <elementText elementTextId="324">
              <text>stylistic (literary)</text>
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        </element>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource – e.g. Dulce et Decorum Est</description>
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                <text>Doctor Zhivago</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource.

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                <text>Boris Pasternak</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived

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              <elementText elementTextId="237">
                <text>&lt;p&gt;Boris Pasternak,&amp;nbsp;&lt;em&gt;Doctor Zhivago&lt;/em&gt;, trans. by Max Hayward and Manya Harari (London: Collins and Harvill Press, 1958), p. 107&lt;/p&gt;&#13;
&lt;p&gt;Note: not yet standardised&lt;/p&gt;</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text/>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource (YYYY-MM-DD). This will usually be the date of publication.

If the exact date is not known, you can enter months or years instead using the specified format. For example, enter 1995-01-01/1995-12-31 to display the year 1995.

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                <text>1958-01-01/1958-12-31</text>
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            <name>Contributor</name>
            <description>The person who contributed/donated the item to the project</description>
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              <elementText elementTextId="240">
                <text>Elena Goodwin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="241">
                <text>Rights rest with the original publisher. Our online collections are subject to a takedown policy. If you believe any content has been published here without the relevant permissions, please contact us to request that it is removed.</text>
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          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Language</name>
            <description>The language of the item – different for original and for translation.</description>
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                <text>English</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource&#13;
&#13;
Match your selection here to your selection for the ‘item type’ in the ‘item type metadata’ tab.</description>
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              <elementText elementTextId="313">
                <text>Extract from novel</text>
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  <item itemId="19" public="1" featured="0">
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      <name>Extract from novel</name>
      <description>An extract from a novel. </description>
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        <element elementId="1">
          <name>Text</name>
          <description>The actual text of the resource – the text of the poem or extract. 

Note: For a line break, press return. For a paragraph break, hold the shift key and press return.</description>
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              <text>&lt;p&gt;In this war, all the nations use the airplanes to detect the enemies' information. The detector should find out where their hostile troops are, which city shall be attacked first, which fortress shall be well-protected, all these information lead to a comprehensive military plan. If the detector conceals some important message, or hold back some vital details, he shall be accused of a shameful betrayer.&lt;/p&gt;&#13;
&lt;p&gt;If a blind man walks without his stick, and passes by a toilet, a knave happens to see that but never give him a notice. When this blind man drops in it, the knave gets lots of fun from this misfortune. We shall say this knave has a terrible character and lacks of conscience.&lt;/p&gt;&#13;
&lt;p&gt;All these reflect the ethics for a nation, for a human-being, and for the secular affairs. If we do not bear to see a blind man drops deep, when we see tens of thousands souls fall into a crisis and fight each other before death, should we keep silence, or rouse their conscience and preclude this fighting?&lt;/p&gt;</text>
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          <name>Translation type</name>
          <description>The style of translation. Note: Be sure to only add this to translated items.</description>
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            <elementText elementTextId="322">
              <text>word-for-word</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource – e.g. Dulce et Decorum Est</description>
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              <elementText elementTextId="247">
                <text>Faith exists in conscience</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource.

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              <elementText elementTextId="248">
                <text>Josephus Mo</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="249">
                <text/>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource (YYYY-MM-DD). This will usually be the date of publication.

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                <text>1914-01-01/1914-12-31</text>
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            <name>Contributor</name>
            <description>The person who contributed/donated the item to the project</description>
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              <elementText elementTextId="251">
                <text>Hao Wang</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="252">
                <text>Rights rest with the original publisher. Our online collections are subject to a takedown policy. If you believe any content has been published here without the relevant permissions, please contact us to request that it is removed.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
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                <text>Print</text>
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                <text>English</text>
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            <name>Type</name>
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Match your selection here to your selection for the ‘item type’ in the ‘item type metadata’ tab.</description>
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              <elementText elementTextId="316">
                <text>Extract from novel</text>
              </elementText>
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  <item itemId="40" public="1" featured="0">
    <itemType itemTypeId="29">
      <name>Diary entry</name>
      <description>A resource that was written as part of a personal diary.</description>
      <elementContainer>
        <element elementId="1">
          <name>Text</name>
          <description>The actual text of the resource – the text of the poem or extract. 

Note: For a line break, press return. For a paragraph break, hold the shift key and press return.</description>
          <elementTextContainer>
            <elementText elementTextId="536">
              <text>&lt;p&gt;&lt;strong&gt;Fritz Schilling&amp;rsquo;s War Diaries 1914-1918&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;December 1915&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Wednesday, 1&lt;sup&gt;st&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;This morning the second group of soldiers went on leave. Hope to be allowed to leave in 3 weeks as well. Sergeant Maczijewki departed, too, and delegated his duties to Fleischer.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;[&amp;hellip;]&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;Friday, 3&lt;sup&gt;rd&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;In the evening we had to collect telecommunication equipment, passing Jelowka. Again having had guests to stay overnight, the Vice Sergeant and Dasbach from the first infantry regiment 44.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Saturday, 4&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Handed out telecommunications equipment to the infantry.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Sunday, 5&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Nothing happening.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Monday, 6&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Went to Pastoral in the morning, collecting postage. Perfect sledge ride.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Tuesday, 7&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Tomorrow, they want me to drive to the depot for spare-parts in Uziany.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;[&amp;hellip;] [Some entries about tiring the journey to the depot turned out to be.] [&amp;hellip;] &amp;nbsp;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;Sunday, 12&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Return journey as boring as the outward one. Train stops ever so often, and always for a long time, of course. At each station the locomotive needs water, similarly slow progress. At 10p.m. we arrived in Abely, where the men from the medical corps left, whereas we continued the bouncy ride t our momentary home.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Monday, 13&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;At about 1a.m.we finally reached Jelowka again. Equipment was unloaded and left next to the line. Both of us walked to Kumerischky and reached our quarters at about 3a.m. After a few hours of sleep we collected the equipment from Jelowka.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Tuesday, 14&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Being busy distributing the telecommunications&amp;rsquo; equipment today.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Wednesday, 15&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Nothing happening.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Thursday, 16&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Lieutenant wants to go on leave tomorrow; said good-bye to us this evening. Merkel was granted the Iron Cross. Sheer mockery, that is. As if there weren&amp;rsquo;t others more deserving than this fellow is.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Friday, 17&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Lieutenant hit the trail, together with his St. Merkel. Hope I will be allowed to depart soon, too. Between 18&lt;sup&gt;th&lt;/sup&gt; Dec and 4&lt;sup&gt;th&lt;/sup&gt; Jan we will be given only 18 days, journey time included. Guess that let the Lieutenant depart in a hurry, as this way he is guaranteed his 3 weeks of leave. He doesn&amp;rsquo;t care abut our leave; main thing, &amp;ldquo;HE&amp;rdquo; can leave.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;[&amp;hellip;]&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Monday, 20&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Further 3 men on leave from today. I went to Sch&amp;ouml;dern for delousing. Enjoyed having had a nice bath after such a long time.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Tuesday, 21&lt;sup&gt;st&lt;/sup&gt;&amp;nbsp; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Sergeant returned from leave this morning. In the evening we left in a sledge. Fleischer, Seide and myself. Had to travel all night and arrived at Duktschky shortly before the departure of our train.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Wednesday, 22th Dec.&lt;/p&gt;&#13;
&lt;p&gt;Train left on time at 5.28a.m. Carriages not heated. We were freezing as a consequence. Arrived in Wilna at 9.30a.m. Changing trains here. Again un-heated carriages, which took us through Kowno to Eydkuhnen. Took through train from there, cosy seats and heated carriages for a change. Departed at 4.30p.m.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Thursday, 23&lt;sup&gt;rd&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Arrived in Berlin at 7.30a.m., had a beer and then went home. Been visiting my Aunt Emilie today.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Friday, 24&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;This evening my Aunt Emilie and Miss Buchholz visited us for Christmas&amp;rsquo; Eve.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Saturday, 25&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;In the morning, Christmas drinks of our club in the function rooms at Mieler&amp;rsquo;s. Visited the B&amp;uuml;rgers&amp;rsquo; and then the Jahns&amp;rsquo; in the afternoon. Mr Schulte got engaged yesterday.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Sunday, 26&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Went to Miss Buchholz&amp;rsquo;s birthday in the afternoon and then to Mr Schulte in the evening.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Monday, 27&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Walking around in Berlin before and after lunch, in the company of K. and H. J&amp;auml;nner and K. Kutzner. Visited Lentz in the evening.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Tuesday, 28&lt;sup&gt;th&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;After a long time joining a class of gymnastics in the evening. Pretty good turn out. After that having had some pints of beer at Mattausch&amp;rsquo;s.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;[&amp;hellip;]&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Friday, 31&lt;sup&gt;st&lt;/sup&gt; Dec.&lt;/p&gt;&#13;
&lt;p&gt;Strolled through Berlin with Erich Staacks in the afternoon. Visited Hugo B&amp;ouml;hme, then Gerwing. In the evening visits from my Aunt Emilie, Miss Buchholz, Mr and Mrs Gebhardt and from Miss Lux. Drinking punch and eating pancakes, we celebrated New Year&amp;rsquo;s Eve. May the New Year bring us peace.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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&lt;p&gt;Excerpt (December 1915)&amp;nbsp;from the War Diaries from Lance Corporal Fritz Schilling, Berlin Corps Fernsprechabteilung, 1 AK 5. Zug, 4. Trupp; edited by his grand child Kerstin Schilling.&amp;nbsp;&lt;/p&gt;&#13;
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&lt;p&gt;Fritz Schilling&amp;nbsp;was born on 2 January 1891 in Berlin. With the beginning of the First World War he was conscripted as telecommunications engineer. He was stationed in East Prussia. His five notebooks contain regular entries in pencil, very factual observations without much showing of emotions. They witness how much the daily routine instead of the bigger events shape life at war. May be these diaries in their recording of the war routine and their plain style can express some other kind of the horrors of WW1.&lt;/p&gt;&#13;
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              <text>I’m happy despite everything, but I still miss a lot of things for that happiness to be complete; it is the destiny; still, I hope that my lucky star will not leave me, but here is the thing, the attack is at 8.00am and there are no more stars. Arthur</text>
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              <text>One wonders how men can kill each other by such wonderful days, where everything only cares about living, growing and flourishing, and we regret the carelessness of our leaders, who without preventing this war could have shorten it, preparing us, thus saving how many lives. Marcel</text>
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              <text>&lt;p&gt;The members of the infantry were all reservists or members of the militia force [reservists between 30 &amp;ndash; 36 years of age], some enrolled since winter &amp;ndash; most of them men over 40&amp;hellip;In their eyes you couldn&amp;rsquo;t see that youthful feeling of missing home, but only that sad worry about their wife and little children, left with no support, God knew where, in the middle of a shabby household.&lt;/p&gt;&#13;
&lt;p&gt;&amp;ndash; I left my wife six months ago, alone with four children and only three francs, one of them told me. How come those high up in command don&amp;rsquo;t think of us too, we&amp;rsquo;re not dogs after all?&lt;/p&gt;&#13;
&lt;p&gt;After some time, their dark and ceaselessly worried faces started to make me wonder and a feeling of unresolved fear and disappointment crept in: will these sad and tormented men be able to face the war? For God&amp;rsquo;s sake! The enemy, who could be arriving every minute now, shouldn&amp;rsquo;t find us thinking about our wife and children.&lt;/p&gt;&#13;
&lt;p&gt;However, I did think to myself: how could they have, in those dark and saddened souls of theirs, the light of patriotic love, that&amp;rsquo;s the only thing that can justify the suffering of war and provide the impetus for action? For what purpose (which they would have gladly understood) and from whom would they have learnt selflessness? But did those grand people who plotted this war go to the towns to talk to them, explain and ask them? And now, darkened and saddened, they had to give their lives for their beloved country.&lt;/p&gt;&#13;
&lt;p&gt;They were especially peasants from Muntenia [the south-eastern part of Romania] &amp;ndash; they had it the worst of all. I looked at them worriedly. They did not fit the image of the &amp;lsquo;Romanian soldier,&amp;rsquo; from the present or the past, as it was painted in my soul by many glorious parades and especially by our tragic national history, so harsh and heroic.&lt;/p&gt;</text>
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For original resources, this should be the name of the writer/creator. For translated resources, this should be the name of the translator.

Do not include information about audio recording creators within the item's DC data – instead, record this information within the DC data for the file.</description>
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            <description>A related resource from which the described resource is derived

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Note: If source is just a URL, do not tick ‘use HTML’ - instead, simply paste the link in.</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource (YYYY-MM-DD). This will usually be the date of publication.

If the exact date is not known, you can enter months or years instead using the specified format. For example, enter 1995-01-01/1995-12-31 to display the year 1995.

This format will work similarly for specific months, e.g. 1995-01-01/1995-01-31 for Jan 1995. 

For a day, enter as normal.</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="289">
                <text>Rights rest with the original publisher. Our online collections are subject to a takedown policy. If you believe any content has been published here without the relevant permissions, please contact us to request that it is removed.</text>
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          <description>The actual text of the resource – the text of the poem or extract. 

Note: For a line break, press return. For a paragraph break, hold the shift key and press return.</description>
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&lt;p&gt;Yet ice and frost and snow&lt;br /&gt;From earth to sky&lt;br /&gt;This summer land doth know.&lt;br /&gt;No man knows why.&lt;/p&gt;&#13;
&lt;p&gt;In all men&amp;rsquo;s hearts it is.&lt;br /&gt;Some spirit old&lt;br /&gt;Hath turned with malign kiss &lt;br /&gt;Our lives to mould.&lt;/p&gt;&#13;
&lt;p&gt;Red fangs have torn His face.&lt;br /&gt;God&amp;rsquo;s blood is shed.&lt;br /&gt;He mourns from His lone place&lt;br /&gt;His children dead.&lt;/p&gt;&#13;
&lt;p&gt;O! ancient crimson curse!&lt;br /&gt;Corrode, consume.&lt;br /&gt;Give back this universe&lt;br /&gt;Its pristine bloom.&lt;/p&gt;</text>
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For original resources, this should be the name of the writer/creator. For translated resources, this should be the name of the translator.

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              <elementText elementTextId="157">
                <text>Rights rest with the original publisher. Our online collections are subject to a takedown policy. If you believe any content has been published here without the relevant permissions, please contact us to request that it is removed.</text>
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Note: If source is just a URL, do not tick ‘use HTML’ - instead, simply paste the link in.</description>
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            <description>A short description of the item itself.

If you want to add information on the item’s creator, add a heading in H3 for, e.g., ‘About the author’ and write underneath it. 

Note: If using HTML, for a line break, press return. For a paragraph break, hold the shift key and press return.</description>
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For original resources, this should be the name of the writer/creator. For translated resources, this should be the name of the translator.

Do not include information about audio recording creators within the item's DC data – instead, record this information within the DC data for the file.</description>
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                <text>Rights rest with the original publisher. Our online collections are subject to a takedown policy. If you believe any content has been published here without the relevant permissions, please contact us to request that it is removed.</text>
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Match your selection here to your selection for the ‘item type’ in the ‘item type metadata’ tab.</description>
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If you want to add information on the item’s creator, add a heading in H3 for, e.g., ‘About the author’ and write underneath it. 

Note: If using HTML, for a line break, press return. For a paragraph break, hold the shift key and press return.</description>
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            <description>An entity primarily responsible for making the resource.

For original resources, this should be the name of the writer/creator. For translated resources, this should be the name of the translator.

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                <text>Rights rest with the original publisher. Our online collections are subject to a takedown policy. If you believe any content has been published here without the relevant permissions, please contact us to request that it is removed.</text>
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